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Many of these OpenType layout features, such as automatic ligatures, small capitals, swashes and old-style figures, are accessed through the OpenType pop-up menu on the Character palette in InDesign. With InDesign and other OpenType-savvy applications, you can turn on OpenType layout features that automatically substitute alternate glyphs in an OpenType font. Other Adobe applications are expected to follow suit in the future. While most Macintosh and Windows applications are compatible with OpenType via ATM Light or native operating system support, and Adobe Photoshop ® were the first Adobe applications to provide advanced OpenType feature support (see the OpenType User Guide for details on what is supported by each application).
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Applications that don't support Unicode or advanced OpenType layout features can still access the basic glyph sets of OpenType Pro fonts, which are analogous to the glyph sets in today's PostScript Type 1 fonts. To access alternate glyphs in an OpenType Pro font, an application provides a user interface that allows end users to apply OpenType layout features to text. For example, the application of the small capitals feature to the 'a' would substitute the small cap 'a' glyph for the usual lowercase 'a' glyph. The application of layout features to one or more characters may change the positioning, or substitute a different glyph. For any character, there is a default glyph and positioning behavior. OpenType layout features can be used to position or substitute glyphs. One glyph can also represent multiple characters, as in the case of the 'ffi' ligature, which corresponds to a sequence of three characters: f, f and i. One character may correspond to several glyphs the lowercase 'a,' a small cap 'a' and an alternate swash lowercase 'a' are all the same character, but they are three separate glyphs. Glyphs are the specific forms that those characters can take. It is available in nine weights, contains old style.

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Characters are the code points assigned by the Unicode standard, which represent the smallest semantic units of language, such as letters.įF Kievit is a humanist sans serif font designed by Michael Abbink and released in 2001 by FontFont. Central to a discussion of OpenType feature support lies the distinction between characters and glyphs.
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OpenType fonts may contain more than 65,000 glyphs, which allows a single font file to contain many nonstandard glyphs, such as old-style figures, true small capitals, fractions, swashes, superiors, inferiors, titling letters, contextual and stylistic alternates, and a full range of ligatures. OpenType significantly simplifies font management and the publishing workflow by ensuring that all of the required glyphs for a document are contained in one cross-platform font file throughout the workflow.
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In the past, a typical Western PostScript font was limited to 256 glyphs, forcing you to install and manage two or more style-related fonts in order to access 'expert set' characters. Many of the Pro fonts also contain Cyrillic and Greek character extensions in the same font. Adobe's OpenType Pro fonts add a full range of accented characters to support central and eastern European languages, such as Turkish and Polish. All Adobe OpenType fonts include the standard range of Latin characters used in the Western world, and several international characters, including the 'estimated,' litre, and euro currency symbols.
